Art-directed case studies
A small set of composed layout blocks that can be arranged per project, instead of one repeating template.
03 — Starter website
A creative portfolio for people whose work is visual — art-directed, quiet, and fast enough that large imagery never feels like a cost.
Who it is for
The challenge
Photographers, designers and studios are usually offered the same template: a masonry grid, a lightbox and a contact form. It flattens very different bodies of work into one shape, and the person viewing it never gets a sense of pace.
The challenge is to give each project its own composition without rebuilding the site every time, and to keep large imagery genuinely fast on a phone.
How it works
The index is a list, not a grid — year, title, discipline — with a large preview that changes as you move through it. It reads like a contents page and sets an editorial tone before any image loads.
Each project is a composed page. Full-bleed plates, half-column details, quiet type, and generous space between sections, so a viewer moves at the pace the work deserves.
Motion is limited to masked headings and a shallow parallax on plates. Nothing moves while it is being read.
Baseline capabilities
A small set of composed layout blocks that can be arranged per project, instead of one repeating template.
Responsive AVIF and WebP with reserved dimensions and priority only on the first plate, so nothing shifts and nothing over-downloads.
A typographic index with keyboard navigation and a previous and next path through the work.
A display and body pairing with real hierarchy — oversized statements against small precise metadata.
A short enquiry form that asks about scope and timing, routed to email without a backend to maintain.
Structured content files, or a CMS once there is a genuine editing workflow to justify one.
What we adapt
A practical starting point, adapted to your workflow, users, integrations, and growth stage.
The type pairing, scale and column rhythm are art-directed for your work rather than picked from the foundation. This is the part that makes it yours.
Which layout blocks exist, and the order a project is allowed to use them in, set against the work you actually have.
What the list shows and how it is ordered — by year, discipline or client — and what the preview does as someone moves through it.
Content stays in the repository until there is a real reason to add a CMS. When there is, we add one you will actually use.
Typography, grid and the rhythm of each case study are art-directed per client. The image pipeline, navigation and content model are the reusable parts.
Possible integrations
These are the connections this starter is commonly asked for. Each one is scoped against the specific system you use — an integration is only real once we have seen the account it has to talk to.
Stack rationale
Responsive views
Bring the process you use today, including the awkward parts. That is where the useful decisions come from.